Early Weather Report
Hard to believe it was nearly 50 years that the influential fusion group arrived
Half a century ago a new branch sprouted on the Jazz tree: Jazz Fusion. This innovative genre melded jazz with diverse musical influences like rock, funk, R&B, and even classical strains. The catalyst came with Miles Davis' bold move in 1968 when he introduced an electric piano on his record "Miles in the Sky". Herbie Hancock's groove-laden Fender Rhodes further propelled the evolution. Subsequent groundbreaking albums, such as *In a Silent Way* and *Bitches Brew*, paved the way for iconic bands the Headhunters, Return to Forever, and the Mahavishnu Orchestra, as well as Wayne Shorter and Joe Zawinul trailblazing group Weather Report. This creative surge sparked a proliferation of new groups, though regrettably, it eventually led to the emergence of smooth jazz.
During my time living in Greenwich Village while attending NYU Film School, the jazz scene was bustling with activity. There was a fusion of new sounds from Miles Davis and his fellow musicians, remnants of the avant-garde movement, and revered figures from the bebop era who were still actively performing.
I found it imperative to catch every one of Miles Davis's performances during that period, beginning with his inaugural show at the Fillmore East in 1970, which coincidentally marked Wayne Shorter's final appearance with the band. Six months later, I found myself attending one of the legendary Miles at Fillmore concerts. On a memorable Thursday night, I was blown away by the sight of Chick Corea on one side of the stage, onFender Rhodes, while Keith Jarrett occupied the other side, skillfully maneuvering the Fafisa Electric Organ.
Another significant moment was witnessing Weather Report's 1971 debut at the Cafe Au Go Go in New York City, shortly after the release of their highly anticipated self-titled debut album.
Reflecting on the early fusion groups, Weather Report truly stands out to me. Their pioneering spirit, innovative fusion approach, and exceptional musicianship firmly established them as one of the most significant and influential groups in the annals of jazz history.
Aside from the original drummer, Alphonse Mouzon, this is the original line of the group (Joe Zawinul - fender rhodes, piano & effects; Wayne Shorter - tenor & soprano sax, Miroslav Vitous - double bass & fender electric bass; Eric Gravatt - drums; and Dom Um Romao percussions & berimbau). Here, they play Miles Davis’ It’s About Time, from Miles’ groundbreaking record, In a Silent way, at the Molde Jazz Festival in Norway in August of 1972.
Big thanks to NRK, Norwegian television for documenting this important music.
There is a version of In a Silent Way with Joe Zawinul and John McLaughlin that is especially soulful. https://youtu.be/UhHhLCl2_mI?si=tC5b1uaHsS7qevXf