Gerry Mulligan (1927-1996) was one of the foremost baritone saxophonists in jazz. He elevated the instrument's status in the jazz ensemble, showcasing its versatility and potential for both melodic and rhythmic expression. Before Mulligan, the baritone sax was often relegated to a background role.
Mulligan played a pivotal role in the development of the "Cool Jazz" movement of the 1950s, especially on the West Coast. His work with trumpeter Chet Baker in the Gerry Mulligan Quartet is emblematic of this style, which emphasized a more relaxed, mellow sound compared to the frenetic pace of bebop.
As an arranger and composer, Mulligan crafted unique sounds, particularly in his piano-less quartets. The absence of a piano allowed for more interplay between the horns and rhythm section, leading to a more open and fluid sound.
Over his career, Mulligan collaborated with numerous jazz giants, including Miles Davis, Thelonious Monk, Duke Ellington, and Stan Getz. His contributions to Miles Davis's seminal album "Birth of the Cool" are particularly noteworthy.
Beyond cool jazz, Gerry explored various other styles, from more traditional forms to third-stream music (a synthesis of classical music and jazz). His adaptability and willingness to evolve artistically kept him relevant throughout the changing landscapes of jazz.
Mr. Mulligan's innovative approach to composition, arrangement, and performance has left a lasting impact on jazz. Many subsequent baritone saxophonists and jazz musicians cite him as a significant influence on their work.
Gerry Mulligan's importance lies in his instrumental virtuosity, pioneering contributions to the cool jazz movement, innovative arrangements, collaborations with other jazz legends, and enduring legacy in the world of jazz.
From a 1956 performance on RAI, Italian television, Gerry Mulligan’s Sextet (Gerry Mulligan, baritone saxophone; Bob Brookmeyer, valve trombone; Zoot Sims, tenor saxophone; Jon Eardley, trumpet; Bill Crow, bass and Dave Bailey on drums) plays his composition, Walking Shoes.
I like his small group playing with Paul Desmond and with Chet Baker, along with the other great work mentioned here.
Dear Bret, Thanks for this post on the great Gerry Mulligan (probably the greatest jazz baritonist of all time and one of the most flexible). I seize this opportunity to ask if you knew, met or made friends with the enigmatic Phil Schaap. I'm asking because I just read a fantastic evocation of him in the last and very interesting book by David Remnick entitled "Holding the Note" (I sent you a copy of the book via email, in case it is of interest to you). Be safe. Tulio